Film Editing Specular: A term used to describe highly directional, focused light. Assemble: The work of organizing and joining the shots of a film in the sequence in which they will appear in the finished print. Analog Recording: A means of recording audio or video whereby the recorded signal is a physical representation of the waveform of the original signal. It contains virtually all the terminology commonly used in modern global video and television technology, with thorough definitions aimed at the engineering level. Music Coded Edge Numbers: A system of marking films with a series of sequential numbers for the purpose of maintaining an established synchronous relationship. Optical Stereo: A film recording system replayed by scanning the stereo tracks by means of a photo cell lamp. Hot Splicer: A film splicing machine of precision construction in which portions of a film are overlapped, cemented, then warmed and dried by a heating unit.
Grip Mercer Clip: A trade name for a small plastic clip which is used to hold film ends together during film assembly. Intercutting: An editing method whereby related shots are inserted into a series of other shots for the purpose of contrast or for some other effect. Film Editing Cinemascope: A trade name for a system of anamorphic widescreen projection. Lighting Combo Stand: A heavy duty 2K stand without wheels. Waste: Shining a light on an object, then slowing turning the light away so that some of the light will miss or fall off the object.
Increasingly common for storing sound effects and archiving for future use. Sound Y M C Numbers: The 'timing lights' that the negative is printed at, representing the numerical value of the red, blue and green lights used in the printing process. Lighting Lowpass Filter: A filter that attenuates frequencies above a specified frequency and allows those below that point to pass. Before buying from a foreign book store or book shop, be sure to check the shipping options. Many also now support interactivity, datacasting, sophisticated graphics, and internet access.
Wow: Repetitive but slow variations in recording or playback tape speed. Horse: A support for one or more rolls of film used on a cutting table. Equalization: The alteration of sound frequencies for a specific purpose, such as to remove 'noise' frequencies or to improve speech clarity. It might also be known as a mix stage. Blow-Up: A film enlargement from a smaller gauge of film to a larger gauge i. Wild Line: A line of dialoge, recorded either on set or at a looping stage, without any picture running. Film Editing Workstation: This term generally refers to a disk-based audio recording and editing system.
Intermodulation Distortion: An amplitude change in which sum and difference tones harmonics are present in the recorded signal. Motivated Lighting: A lighting style in which the light sources imitate existing sources, such as lamps or windows. Prior results do not guarantee a similar outcome. Laboratory Playback: A technique of filming music action first, the playing the music through loudspeakers while performers dance, sing, etc. Grip Butthead: A producer who thinks he knows more about a film technicians job than the tech himself knows.
Film Envelope: The shape of the graph as amplitude is plotted against time. Laboratory Anti-Aliasing: Filtering of erroneous frequencies that are created during the analog to digital conversion process. Acoustics Matching Action: The process of aligning or overlapping the shots of a film sequence in order to achieve a smooth transition from the action in one shot to the action of the succeeding shot. Prescoring: Recording of music or other sound prior to the shooting of the picture which is to accompany it. Post Production Low Contrast Original: An original reversal film which is designed to yield prints having good projection contrast.
Acoustics Dynamic Range: The difference in decibels between the loudest and quietest portions of audio. Sound Pitch: The distance between two successive perforations along a strip of film. In addition to furnishing an authoritative, up-to-date resource for relevant industry definitions, this dictionary introduces many exciting recent applications as well as hinting at emerging future technologies. Acoustics Drop-In: The process of inserting recorded audio by playing up to a chosen point and switching from playback to record mode. Flat: Usually an agreement to perform work or provide a service for a fixed fee or wage which will not be affected by overtime restrictions of unexpected costs. Post Production Crossmodulation Tests: Tests which are used to determine the correct negative and print densities for a variable area optical sound track.
A lot of discount books and discount text books are put on sale by many discounted book retailers and discount bookstores everyday. Answer Print: The first print combining picture and sound which is submitted by the laboratory for the customer's approval. The signal can then be copied repeatedly with no degradation. Gamma: The degree of contrast in a negative or print. Get up to 90% off list price! Parallels: Temporary Scaffolding, used as a platform for the camera, lighting, or other rigging.
A measurement of amplitude in decibels. The change from one roll to another to match the edited workprint is done automatically by the printer. Action Cutting: The cutting of film from one shot to another in a way yielding the impression that action is continuous and uninterrupted. A 'B' Wind indicates that the emulsion is facing out, or away, from the center or core of the film roll. Fresnel: A stepped convex lens.
Film Editing Matching: Arranging for the impedances presented by a load to be equal to the internal impedance of the generator. Lighting Senior Stand: A braced junior stand sufficiently rugged for large lights such as a 5K, 10K, or 'Big Eye'. Audio Directional Characteristic: The variation in response or perception for different angles of sound incidence. It generally comes in three sizes: 6' X 6', 12' x 12', and 20' x 20'. Lighting Beefy Baby: A heavy duty 2K stand without wheels.